Дипломная работа на тему "ТЮМГУ | Риторика усиживания на двух стульях: этика и политика в кинопроизведениях «Акт убийства» (2012) и «Стандартная операционная процедура» (2008)"

Работа на тему: Риторика усиживания на двух стульях: этика и политика в кинопроизведениях «Акт убийства» (2012) и «Стандартная операционная процедура» (2008)
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Описание работы

Federal Autonomous Educational Institution of Higher Professional Education
«UNIVERSITY OF TYUМEN» SCHOOL OF ADVANCED STUDIES
RECOMMENDED FOR А DEFENSE IN SEC

UNDERGRADUATE THESIS
RНETORIC SITTING ON TWO CHAIRS: ETHICS AND POLITICS IN "ТНЕ АСТ OF KILLING" (2012) AND "STANDARD OPERATING PROCEDURE" (2008) / РИТОРИКА УСИЖИВАНИЯ НА ДВУХ СТУЛЬЯХ: ЭТИКА И ПОЛИТИКА В КИНОПРОИЗВЕДЕНИЯХ «АКТ УБИЙСТВА» (2012) И
«СТАНДАРТНАЯ ОПЕРАЦИОННАЯ ПРОЦЕДУРА» (2008)

42.03.05 Media comrnunications Major «Film and media»

Tyumen 2023

МИНИСТЕРСТВО НАУКИ И ВЫСШЕГО ОБРАЗОВАНИЯ РОССИЙСКОЙ ФЕДЕРАЦИИ
Федеральное государственное автономное образовательное учреждение высшего образования
«ТЮМЕНСКИЙ ГОСУДАРСТВЕННЫЙ УНИВЕРСИТЕТ» ШКОЛА ПЕРСПЕКТИВНЫХ ИССЛЕДОВАНИЙ (SAS)
РЕКОМЕНДОВАНО К ЗАЩИТЕ В ГЭК

ВЫПУСКНАЯ КВАЛИФИКАЦИОННАЯ РАБОТА
бакалаврская работа
RHETORIC SITTING ON TWO CHAIRS: ETHICS AND POLITICS IN "ТНЕ АСТ OF KILLING" (2012) AND "STANDARD OPERATING PROCEDURE" (2008) / РИТОРИКА УСИЖИВАНИЯ НА ДВУХ СТУЛЬЯХ: ЭТИКА И ПОЛИТИКА В КИНОПРОИЗВЕДЕНИЯХ «АКТ УБИЙСТВА» (2012) И
«СТАНДАРТНАЯ ОПЕРАЦИОННАЯ ПРОЦЕДУРА» (2008)

42.03.05 Медиакоммуникации Профиль «Кино и медиа»

Тюмень 2023

DECLARATION OF ORIGINALITY
By submitting this research project, I hereby certify that: I am its sole author and that any ideas, techniques, quotations, or any other material from the work of other people included in my research project, published or otherwise, are fully acknowledged in accordance with the standard referencing practices of my major; and that no third-party proofreading, editing, or translating services have been used in its completion.
Maria Chekmareva

WORD COUNT: 9916
TABLE OF CONTENTS
ABSTRACT 5
INTRODUCTION 6
METHODOLOGY 11
LITERATURE REVIEW 13
CHAPTER 1. FORMAL ANALYSIS: STANDARD OPERATING PROCEDURE 19
CHAPTER 2. FORMAL ANALYSIS: THE ACT OF KILLING 24
CHAPTER 3. TAGUBA REPORT AND THE OFFICIAL US POSITION 30
CHAPTER 4. THE ACT OF KILLING: HISTORICAL CONSIDERATIONS 32
CONCLUSION 34

ABSTRACT
This BA thesis sets out to reveal the underlying tension between ethics and politics in documentaries that address the “undesirable heritage” of mass killings and tortures implicitly supported by the US government in postcolonial countries - Indonesia and Iraq. Here, I focus on The Act of Killing (2012) and Standard Operating Procedure (2008), the American films that seem to criticizing Western political and cultural hegemony but the ideological message of which should be deciphered. By means of analysis of visual rhetoric and through an approach that engages the twofold concept of documentary ethics introduced by Bill Nichols (which can be summarized as ethics as rhetoric and as rules, that according to him, documentarians should follow), I propose that Joshua Oppenheimer and Errol Morris, in an attempt to attack Western hegemony, reify American cultural and political economy within historical legacy of postcolonial countries. As both films are shot by American directors while representing perpetrators recounting the atrocities that they have committed in complex historical circumstances, I address the films as objects of ideological propaganda of the capitalist cultural economy. Oppenheimer and Morris, being members of hegemonic Western culture, observe and judge perpetrators, however, they concurrently follow a dominant political ideology that promotes hegemonic powers like the United States government as innocent parties in complex geopolitical conflicts in which the United States is an active—and even aggressive— party.

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