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Работа на тему: Исследование расистских проявлений в отношении чернокожего населения в американских жанровых фильмах: переход от философского движения «Пост-блэкнесс» к теоретической концепции афропессимизма
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Описание работы

МИНИСТЕРСТВО НАУКИ И ВЫСШЕГО ОБРАЗОВАНИЯ РОССИЙСКОЙ ФЕДЕРАЦИИ
Федеральное государственное автономное образовательное учреждение высшего образования
«ТЮМЕНСКИЙ ГОСУДАРСТВЕННЫЙ УНИВЕРСИТЕТ» ШКОЛА ПЕРСПЕКТИВНЫХ ИССЛЕДОВАНИЙ (SAS)

ВЫПУСКНАЯ КВАЛИФИКАЦИОННАЯ РАБОТА
бакалаврская работа
EXPLORING ANTI-BLACKNESS IN AMERICAN GENRE FILMS: ТНЕ
SI-ПFT FROM POST-BLACKNESS ТО AFRO-PESSIMISM / ИССЛЕДОВАНИЕ РАСИСТСКИХ ПРОЯВЛЕНИЙ В ОТНОШЕНИИ ЧЕРНОКОЖЕГО НАСЕЛЕНИЯ В АМЕРИКАНСКИХ ЖАНРОВЫХ ФИЛЬМАХ: ПЕРЕХОД ОТ ФИЛОСОФСКОГО ДВИЖЕНИЯ «ПОСТ-БЛЭКНЕСС» К ТЕОРЕТИЧЕСКОЙ КОНЦЕПЦИИ АФРОПЕССИМИЗМА

42.03.05 Медиакоммуникации Профиль «Кино и медиа

Тюмень 2023

MINISTRY OF SCIENCE AND HIGHER EDUCATION OF RUSSIAN FEDERATION
Federal Autonomous Educational Institution of Higher Professional Education
«UNIVERSITY OF TYUMEN»

SCHOOL OF ADVANCED STUDIES
RECOММENDED FOR А DEFENSE IN SEC

UNDERGRADUATE THESIS
EXPLORING ANТI-BLACKNESS IN AMERICAN GENRE FILMS: ТНЕ SHIFT FROM POST-BLACKNESS ТО AFRO-PESSIMISM / ИССЛЕДОВАНИЕ РАСИСТСКИХ ПРОЯВЛЕНИЙ В ОТНОШЕНИИ ЧЕРНОКОЖЕГО НАСЕЛЕНИЯ В АМЕРИКАНСКИХ ЖАНРОВЫХ ФИЛЬМАХ: ПЕРЕХОД ОТ ФИЛОСОФСКОГО ДВИЖЕНИЯ «ПОСТ-БЛЭКНЕСС» К ТЕОРЕТИЧЕСКОЙ КОНЦЕПЦИИ АФРОПЕССИМИЗМА

42.03.05 Mediacommunication Major «Film and Media Studies»

Tyumen 2023

TABLE OF CONTENTS
ABSTRACT 4
LITRERATURE REVIEW 5
METHODOLOGY 7
INTRODUCTION 10
CHAPTER.1 PHILOSOPHY AND RACE: EUROCENTRIC PERSPECTIVES 12
CHAPTER 2. CULTURAL CONTEXT: 10S AND POST BLACKNESS 15
CHAPTER 3. CULTURAL CONTEXT: 20S AND AFRO-PESSIMISM 18
CHAPTER 4. THE COHERENCE OF POST-BLACKNESS AND AFRO 20
PESSIMISM IN MODERN AFRICAN-AMERICAN CINEMA 20
CHAPTER 5. ANALYSIS OF CASE STUDIES 23
CHAPTER 5.1. DA 5 BLOODS 26
CHAPTER 5.2. THE HARDER THEY FALL 30
CONCLUSION 34
BIBLIOGRAPHY 36
FILMOGRAPHY 38

ABSTRACT
Since the advent of the Hollywood studio system, major American films have demonstrated degrading stereotypes of African Americans following the strengthening of the culture and values of white race superiority. In this paper, I will explore how African Americans were portrayed in films during the Barack Obama administration and after, as well as what trends influenced their representation in popular culture of the 2010s and 2020s. The main question of my thesis is whether blackness is capable of being represented or not. I will be looking at two AfricanAmerican films from Netflix: Spike Lee's Da 5 Bloods and Jeymes Samuel's The Harder They Fall. This study aims to trace the departure from "post–blackness" and "color blindness", which sought to move away from traditional stereotypes, focusing on the diversity and complexity of black experience, and the subsequent returning and merging with Afro-pessimism. Therefore, African-American filmmakers reflect the ideas of Afro-pessimism in their films. Through this lens, they view the continuing effects of slavery, racism and segregation. They disagree with the idea that the election of an African American president and the rhetoric about color blindness both mean that the fight against racism is over and that blacks have achieved equality in US civil society. However, after analyzing the films of the 2020s from Netflix, I come to the conclusion that modern US black cinema is a unique historical case, where black individuals become part of predominantly white narratives, while still preserving their black identity and representation in the media.

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